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Daily thoughts on aesthetics and theology, and the entire world in between.

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Frozen frames

The most meaningful memories I have of people are frozen frames:

A moment, a look, an action; single instances in which the complexity of a person is summed up in a frozen frame.

Like that one instant, when he was about 10, when we were playing touch football in our side yard in Blue Bell. There was a dispute about a rule -- I think it might have been how many 1-1000, 2-1000s to count before rushing the passer; it doesn't matter because the dispute is not part of the frozen frame.

Ten year old Jeremy stood me down. I can still see the determination in his eyes. At that moment I realized I might have a handful of a son here ... a fact that never occurred to me before.


He is almost 30 now, but that frozen frame endures.

Here is an incident in Ayn Rand's
The Fountainhead, a father thinking about his now-grown daughter:

But one picture came back to his mind ... It was a picture of her childhood, of a day from some forgotten summer on his country estate in Connecticut long ago. He had forgotten the rest of that day and what had led to the one moment he remembered. But he remembered how he stood on the terrace and saw her leaping over a high green hedge at the end of the lawn. The hedge seemed too high for her little body; he had time to think that she could not make it, in the very moment when he saw her flying triumphantly over the green barrier. He could not remember the beginning nor the end of that leap; but he still saw, clearly and sharply, as on a square of movie film cut out and held motionless forever, the one instant when her body hung in space, her long legs flung wide, her thin arms thrown up, hands braced against the air, her white dress and blond hair spread in two broad, flat mats on the wind, a single moment, the flash of a small body in the greatest burst of ecstatic freedom he had ever witnessed in his life ...


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Citation from Ayn Rand, The Fountainhead, Book I, Chapter XII

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